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Puno, capital of folklore

"Puno"

Indeed, it is necessary to specify that the identity of a country is complex, and manifests itself through various forms. The Puno region was officially recognized, on November 7, 1985, as the Capital of Peruvian Folklore, due to its more than 350 dances that combine ancestral traditions and miscegenation expressed in dance, music and art performed with joy and overwhelming feeling that have crossed borders inside and outside of Peru.

For 18 days the city of Puno, which is on the shores of Lake Titicaca, located at 3,870 meters above sea level, becomes the folkloric capital not only of Peru, but also of America, thanks to the festival of the VIRGEN DE LA CANDELARIA that takes place celebrated every year, it gathers more than 200 bands of musicians and dancers to celebrate Mamacha Candelaria. During the first nine days the mayordomos (responsible for leading the festivities) fix the temple and celebrate masses, banquets and fireworks. On the central day, February 2, the Virgin is led through the city in a colorful procession; behind it, keeping careful hierarchy, parade priests, acolytes, faithful, Christians and pagans: it is the moment of the presentation of groups of musicians and dancers who dance throughout the city.

The festival is related to the pre-Hispanic agrarian cycles of planting and harvesting, as well as the mining activity of the region, and is the product of the mix between respectful Aymara joy and ancestral Quechua gravity. The dance of the devils or diablada, supposedly dreamed of by some miners trapped in a sinkhole who in their desperation entrusted themselves to the Virgen de la Candelaria, is the main folklore comparsa. The dancers make their offerings to the earth (Pachamama) playing panpipes, dressed in very colorful costumes and almost always masked. The most impressive masks, due to their terrifying effect, are those of deer with long twisted horns associated with the devil and, also, with the Jacancho or god of minerals. In the cacharpari or farewell, the troupes that fill the streets finally go to the cemetery to pay homage to the dead.

Devil Dance Puno Virgin of Candelaria in procession

Before the arrival of the Spaniards, the city of Puno, this was a village, had the Bay of Lake Titikaka as its setting, it formed a marginal population located between the boundaries of the territories of the Kollas (Quechuas) to the north and the Lupacas ( Aymara) to the south.

At the end of the 16th century, the south of Puno was under the government of the Lupacas whose development reached great advances in agriculture, livestock, social organization and culture. On the other hand, the northern part from what is now Juliaca, was in the hands of the Kollas, whose domain extended from the boundaries of present-day Puno, to the banks of the Ramis River on the south-eastern side of Lake Titicaca.

The city of Puno was a modest Indian town until the Viceroy Count of Lemos made it the capital of the province of Paucarcolla, on November 4, 1668. At the same time, it changed its old name from San Juan Bautista de Puno to San Carlos. from Puno.

The period of peace had ended in 1781 when the Indian revolutions fought for their independence like the one led by Tupac Katari. In the war of independence at the beginning of the 19th century, Puno became an important connecting city between Peru and the Río de la Plata in Argentina.

After independence in 1821 Puno was the scene of the battle between Peru and Bolivia, the latter occupying the Peruvian territories as far as Tacna and Moquegua, until the signing of the 1847 convention.

The port of Puno has steamships that date back to the beginning of the republic, which were transported from Arica (Chile) to Lake Titikaka for the transport of minerals and passengers from Bolivia, the same ones that are preserved today, as well A railway was built that interconnects the departments of Cuzco and Arequipa, which are also still in service. In the second half of the 17th century (1657) the Viceroy Count of Lemos (Pedro Fernández de Castro) moved the port of San Luís de Alba to what is now Puno and founded the town of the Immaculate Conception and San Carlos de Puno on 9 of November 1663 and on November 4 of that year, he declares it the capital of the province of Paucarcolla (date that is celebrated every year). After having suffocated a confrontation between Spaniards over the famous Laykacota mines, the same ones that the brothers José and Gaspar Salcedo were buried and executed.

The province of Puno was created by a decree of May 2, 1854 and is the capital of the department today Puno Region.

La diablada

Among the most emblematic dances is La Diablada, an expression of Andean-Christian religious syncretism that represents the fight between good and evil. Its origin dates back to 1577, when the Jesuits settled in Juli, current capital of the province of Chucuito, where comedies and sacramental plays were presented on Christian holidays. Through these theatrical manifestations, the Jesuit missionaries taught the Aymara people the seven deadly sins in the form of a dance, and how angels defeat demons.

Danza Diablada Puno Dancers 'Diablada'

La Pandilla

Another of the dance expressions with great popular roots in Puno is the Pandilla, which, unlike other dances that bear the same name in other regions of Peru, is performed slowly and expresses the chivalry of the man and the elegance of the Puno lady. .

Sikuris

The sikuri is the authentic expression of the people of Puno. The siku or zampoña, is a pentaphonic Andean instrument is composed of various sound tubes of different calibers in length and diameter. Added to this instrument is the bass drum, with which a musical symbiosis is generated that accompanies the performers-dancers who advance by taking steps forwards and backwards, complemented with circular movements.

This dance derived from the Tuntuna is performed with much more ornate and colorful costumes and with even more acrobatic movements. The music of each dance differs from one another, keeping the same melodic line of Afro-Peruvian inspiration.

Wifala

Word that comes from Quechua, whose meaning is "teaches" or "flag", although it can also mean joy. It has its origin in the district of Ayaviri, province of Melgar, as well as in the districts of Asillo and Muñani, in the province of Azángaro. This Puno dance was declared Cultural Heritage of the Nation on October 2, 2014.

1. Uros floating islands

Live in a world made of reeds, surrounded by the beautiful Lake Titicaca.

At 3,812 meters above sea level, the highest navigable lake in the world is located in the Peruvian highlands, Lake Titicaca, in Puno. In it you can find the Floating Islands of the Uros, built of reeds, an aquatic plant that grows on the surface of Lake Titicaca. The totora is woven and spread over another layer of it to build the surface of each island.

In the lake there are approximately 100 floating islands, and the mobilization is carried out in rafts also based on reeds. Its inhabitants are hospitable and dedicated to tourism, and you can get a stamp in your passport in one of the largest islands.

These islands are inhabited by the Uros, one of the oldest cultures on the continent which dates back to times before the Incas. The inhabitants of this floating community claim to own the waters of Lake Titicaca. The subsistence of the Uros community is based on fishing and hunting; They are also dedicated to the elaboration of wool tapestry fabrics and the stuffing of animals. On the other hand, they participate in tourist activities: There are tours to the Floating Islands of the Uros for a few hours, but also complete experiences in which you become part of the Uros community.

Uros Island, Puno Uros Island, Puno

2. Amantani and Taquile Islands

The charm of Lake Titicaca is lived intensely in islands such as Taquile and Amantaní, where the history that is kept in the memory of its people is expressed in wonderful fabrics, true works of art recognized worldwide. In Taquile you can climb 560 steps to reach the town, where you will get unique views of the lake.

Amantaní is a good option for lunch during your day, since all the local food is harvested on the same island, which gives it a special value. In the same way, it is ideal to enjoy a trout, as it is one of the most important foods of Titicaca.

Amantani Island - Puno Amantani Island - Puno

3. Artisan fair of the port of Puno

The artisan market of the Port of Puno, on the shores of Lake Titicaca, is one of the best places to shop in all of Peru. Located on the shores of Lake Titicaca on its Peruvian side, the Port of Puno is a good place to buy traditional handicrafts from the people of the Altiplano. If you visit the city, it is almost obligatory to go around its craft fair and do some shopping for unique objects. You can boast of having acquired a souvenir in one of the highest ports in the world, at more than 3800 meters of altitude.

It is quite normal that, since there are so many stalls, there is competition for customers, making prices more affordable for tourists who want a souvenir or gift. It is a good place to enjoy crafts and painting, although it also has places to have lunch, so you can spend a good couple of hours calmly. In fact, the people of Puno have traditionally only had two sources of wealth; on the one hand, fishing and, on the other, artisanal production. In other words, what we buy here has a guarantee of authenticity.



4. Kuntur Wasi and Puma Uta viewpoint

¿Quieres tener una idea de cómo se ve Puno desde las alturas? Entonces es un buen plan conocer los miradores de Kuntur Wasi y Puma Uta, ambos imperdibles lugares turísticos de Puno. Kuntur Wasi tiene en su cima un cóndor, el patrono vigilante de la ciudad. Desde aquí te puedes sentir como uno de ellos en vuelo, y obtener increíbles vistas de Puno y el Titicaca.

Puma Uta tiene una idea similar, pero esta vez con una escultura gigante de un puma (y otros animales) en un mirador ideal para divertirse y admirar la magia de estas tierras. Además, un poco de actividad física nunca viene mal.

Puma Ata viewpoint, Puno Puma Ata viewpoint, Puno

5. Church of San Juan Bautista

The home of the Virgen de la Candelaria should not be left out of your list. Both the virgin and the temple have existed since 1580. However, a fire destroyed much of the structure, and it was rebuilt in 1887 in its current form.

Since the construction of the San Juan Bautista Temple, it has always been a place of prayer for suffering people, whether it be exploited miners, abused indigenous people, the poor and marginalized, always a place of prayer for poor and humble people. The Image of the Virgin of Candelaria is venerated from the year 1580 in the Temple. The construction is made of adobe and represents part of the identity of Puno, the virgin being the patron saint of Puno and receiving visits from thousands of faithful every February.

1. Ritual festival of the Payment to the Earth (Pacha Mama). Date: January 18

2. Virgen de la Candelaria Date: from February 2 to 18

3. Holy Week in Puno Date: from March 24 to 3

4. Festival of Santiago apostle Festival of Santiago apostle

5. National Holidays Date: July 28

6. Capac Ccolla staging Date: September 7

7. Anniversary of the foundation of Puno Date: from November 1 to 30

Puno aniversary
Paisaje Pacha Mama cerros silueta
Paisaje Pacha Mama cerros silueta